Valeriia Treninkova

Valeriia Treninkova

Feb. 16, 2026

2/5

2

That's how it goes, right? I ignored it for a long time, it didn't spark any interest in me. It seemed like it wouldn't offer anything new. But then it suddenly revealed its most pleasant side. Now, though, it smells like a persistent cologne, such a monotonous unisex scent. I don't understand why it decided to speak to me so masculinely and if this will last long. All in all, no need to rush to conclusions, I need to experiment more. SADNESS

Valeriia Treninkova

Feb. 16, 2026

3/5

3

The fragrance, of course, isn't the most banal, but it's not a masterpiece either. Citrus at the beginning, yes, bright, but the grapefruit here is clearly overdone. Red currant in the middle - yes, tasty, but not that surprising. Rose, lily of the valley - all of that somehow misses the mark, doesn't captivate. Cinnamon is barely audible, and musk seems to have forgotten it's even there. Sometimes it feels like cologne, but then everything smooths out again. In the end, it's something in between, like an orchestra playing, but not in unison. It reminds me of Dali's summer fragrances, but this one clearly falls short - you can't call it fresh, rather, something unexpressive 😒

Valeriia Treninkova

Feb. 16, 2026

4/5

4

A floral fragrance that unexpectedly catches attention, but with a bitterness, slightly powdery, and aldehydes. Its longevity is simply amazing, although sometimes it sounds quite strict. It holds an honorable place in my collection, but, honestly, the first impression wasn't the brightest. For the first 5-10 minutes, it smells of bitter greens and floral notes, and I even thought it would be better to give it away. But, strangely enough, after half an hour it started to change, and I began to like it. After an hour, it already smells like a noble and expensive perfume. There's something of an old, good Chanel fragrance in it, but with a bitterness that lingers